escultura en el S.XXI
"In the second exhibition space the Ana Serratosa Gallery offers a place to stop and contemplate art pieces and how art, and specially sculpture, has evolved over the last century
Not only have the materials have changed, but also the way in which we relate to the sculpture itself.
The sculptures do not rest on pedestals anymore, no longer are conceive as something to be observe, but as something to interact with, to relate to, something designed to catch our attention and be part of our environment.
This second exhibition space was conceived as a storage place, which, through design and study of the space, has become an atypical exhibition hall, with a space that allows to show from large works to small creations.
In Revisando la escultura del S.XXI, artists from different cultures and countries meet for the first time, to transform this space into a softer location, and to make us reflect on the new concept of sculpture which this century is about to re-invent.
With this exhibition the Ana Serratosa Gallery intends to review the change that sculpture has been undergoing in recent years, as well as to allow the visitor to interact with each of the pieces and understand that change in a closer and more personal way."
Commentary by Emilio Raimondo
Venice does not exist unless you look at it with your eyes, beyond your mind.
Each work, which wants to be called a work of art, exposes itself to this dramatic court: who does not see that work as a work of art, who does not recognize it, sees it as an object among others. Carmen does not represent 'Venice'. Venice no longer exists other than in the eyes of the beholder. Carmen stages the ‘eyes’, and Venice no longer exists because nobody looks at it. Carmen does it, and makes it live...
"Los modos de mirar de Jabaloyes en Ana Serratosa"
Article in MAKMA magazine, by Merche Medina
La Galería Ana Serratosa acoge, hasta enero de 2020, la exposición ‘Miradas Manufacturadas’, de Carmen Jabaloyes, un proyecto en el que la artista valenciana, de fecunda trayectoria internacional –con galería en Washington, Boston o Düsseldorf– retorna a la obra escultórica –tras varios años dedicada a la pintura–, disciplina en la que se formó en sus inicios en la Universidad de València y de Venecia....